Alice Dunbar-Nelson in my Washington Post article – based on her scrapbooks

alice dunbar nelson

Alice Dunbar-Nelson, in the photo taken around 1900, which appeared in the many newspaper articles about her suffrage work in 1915.

My article in today’s Washington Post “Made by History” section, “How a new exhibit corrects our skewed understanding of women’s suffrage: Addressing racism in the suffrage movement” tells about the fabulous exhibit, “Votes for Women,” opening today at the National Portrait Gallery in Washington, DC. This exhibit avoids the narrow “Seneca Falls to 1920” framing of women’s struggles for the vote to include the activism of African American churchwomen, clubwomen, and educators, and later civil rights activists, and Native Americans and Puerto Ricans, whose timeline for getting the vote was very different.

My article focused on Alice Dunbar-Nelson, an African American writer, speaker, teacher, and all around activist, whose portrait is in the exhibit. Her story, not in the exhibit, is fascinating. I learned about her 1915 campaign tour for suffrage through her scrapbook – really the only record there is of this work. The news articles she collected about her speeches were in local papers, not digitized or even microfilmed. She was bold enough to think that evidence of her work should be saved, and savvy enough to realize that if she didn’t do it, no one else would. Her scrapbook is thus almost the only trace we have of the very particular arguments for suffrage she addressed to the black community.

If the Washington Post article whets your appetite, you can read more about Alice

1917 black women organizing for vote

Photo of a gathering of black suffrage activist, 1917. Anyone know who is who?

Dunbar-Nelson’s suffrage work in my 2016 article, “Alice Moore Dunbar-Nelson’s Suffrage Work: The View from Her Scrapbook” Legacy: A Journal of American Women Writers, 33: 2; 310-335. If you’re not a subscriber, you’ll need access to J-Stor or ProjectMuse to get to it.

The exhibit catalog has an eye-opening essay by Martha S. Jones – essential reading on African American suffrage involvement: “The Politics of Black Womanhood, 1848-2008.”

I must get to DC!

 

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Another Oberlin alumna scrapbook maker

Anna Julia Cooper

Although I keep thinking I’m done researching scrapbooks per se, heading to Oberlin reminds me that I’ve always wanted to follow up on the scrapbooks of an Oberlin alumna that I saw at Howard University’s Moorland Spingarn collection: The papers of pioneering intellectual, teacher, writer, and administrator Anna Julia Cooper there held her own scrapbooks, but also included one focused on and probably made by Charlotte Forten Grimke, 20 years older than Cooper. Grimke did not go to Oberlin, but other members of her family did.

Speaking at Oberlin March 14 – and a note on an advantage of 19th century media

I’m looking forward to jumping into Oberlin’s special collections, since their alumnae/i

Mary Church Terrell, Oberlin alumna and scrapbook maker

were the leading lights of the abolitionist and women’s rights movements. They may have inherited the remains of the newspapers that Angelina and Sarah Grimke and Theodore Weld used in writing American Slavery As It Is  — an extraordinary use of Southern newspapers to argue against slavery. I’ll be speaking on Hidden Histories: African American and Women’s Rights Scrapbooks on Thursday afternoon, March 13. And I’m looking forward to a faculty workshop about archives on Friday, where I hope we’ll have a chance to discuss Elizabeth Alexander’s extraordinary essay, “My Grandmother’s Hair,” from her collection Power and Possibility: Essays, Reviews, and Interviews. It engages the intimacy and violence of the archive.

So what was an advantage did 19th century media had over ours? Their users didn’t have to worry about lost passwords. I finally made my way back to this blog! Sorry for not posting here more often recently.

I spoke at the Mexico City’s immense Universidad Nacional Autónoma de México (UNAM), in the Seminario de Bibliología, last month and heard about some interesting filmmakers’ scrapbooks there from book history scholars who hadn’t thought about scrapbooks. I also learned that Spanish has a special word for a library of periodicals: hemeroteca.

I’ll be digging in the archives on fellowship at Yale University all through April (on a nonscrapbook project) but hope to post more about related findings.