My article in today’s Washington Post “Made by History” section, “How a new exhibit corrects our skewed understanding of women’s suffrage: Addressing racism in the suffrage movement” tells about the fabulous exhibit, “Votes for Women,” opening today at the National Portrait Gallery in Washington, DC. This exhibit avoids the narrow “Seneca Falls to 1920” framing of women’s struggles for the vote to include the activism of African American churchwomen, clubwomen, and educators, and later civil rights activists, and Native Americans and Puerto Ricans, whose timeline for getting the vote was very different.
My article focused on Alice Dunbar-Nelson, an African American writer, speaker, teacher, and all around activist, whose portrait is in the exhibit. Her story, not in the exhibit, is fascinating. I learned about her 1915 campaign tour for suffrage through her scrapbook – really the only record there is of this work. The news articles she collected about her speeches were in local papers, not digitized or even microfilmed. She was bold enough to think that evidence of her work should be saved, and savvy enough to realize that if she didn’t do it, no one else would. Her scrapbook is thus almost the only trace we have of the very particular arguments for suffrage she addressed to the black community.
If the Washington Post article whets your appetite, you can read more about Alice
Dunbar-Nelson’s suffrage work in my 2016 article, “Alice Moore Dunbar-Nelson’s Suffrage Work: The View from Her Scrapbook” Legacy: A Journal of American Women Writers, 33: 2; 310-335. If you’re not a subscriber, you’ll need access to J-Stor or ProjectMuse to get to it.
The exhibit catalog has an eye-opening essay by Martha S. Jones – essential reading on African American suffrage involvement: “The Politics of Black Womanhood, 1848-2008.”
I must get to DC!