Hey, New Jersey! Want to Hear about Scrapbooks?

Whenever I give talks about scrapbooks in public libraries and historical societies, people walk in thinking scrapbooks are trivial, and leave astonished at what a rich history they speak for — that so many people in the 19th century made them as “unwritten histories,” and they were our ancestors way of coping with too much information. I’m delighted that the New Jersey Council for the Humanities has included my Writing with Scissors: American Scrapbooks presentation in their great catalog of Public Scholars events. Nonprofit organizations in NJ can sign up to book the talk here.

I love adding local material and inviting people to look again at scrapbooks in their families and communities. NJ author and editor Jeannette Leonard Gilder kept scrapbooks and wrote about her NJ life in her memoir, The Tom-Boy at Work. Isn’t it time for your historical society to bring out its scrapbooks?

Eligible groups include libraries, historical societies, schools, universities and more. My talks are both women’s suffrage related, so qualify for organizations to go over the usual NJ Council on the Humanities limit of two talks/year. (Jeannette Gilder was actually an anti-suffragist. Yikes!)

From The Tom-Boy at Work

The full catalog of speakers is here.

Alice Dunbar-Nelson in my Washington Post article – based on her scrapbooks

alice dunbar nelson

Alice Dunbar-Nelson, in the photo taken around 1900, which appeared in the many newspaper articles about her suffrage work in 1915.

My article in today’s Washington Post “Made by History” section, “How a new exhibit corrects our skewed understanding of women’s suffrage: Addressing racism in the suffrage movement” tells about the fabulous exhibit, “Votes for Women,” opening today at the National Portrait Gallery in Washington, DC. This exhibit avoids the narrow “Seneca Falls to 1920” framing of women’s struggles for the vote to include the activism of African American churchwomen, clubwomen, and educators, and later civil rights activists, and Native Americans and Puerto Ricans, whose timeline for getting the vote was very different.

My article focused on Alice Dunbar-Nelson, an African American writer, speaker, teacher, and all around activist, whose portrait is in the exhibit. Her story, not in the exhibit, is fascinating. I learned about her 1915 campaign tour for suffrage through her scrapbook – really the only record there is of this work. The news articles she collected about her speeches were in local papers, not digitized or even microfilmed. She was bold enough to think that evidence of her work should be saved, and savvy enough to realize that if she didn’t do it, no one else would. Her scrapbook is thus almost the only trace we have of the very particular arguments for suffrage she addressed to the black community.

If the Washington Post article whets your appetite, you can read more about Alice

1917 black women organizing for vote

Photo of a gathering of black suffrage activist, 1917. Anyone know who is who?

Dunbar-Nelson’s suffrage work in my 2016 article, “Alice Moore Dunbar-Nelson’s Suffrage Work: The View from Her Scrapbook” Legacy: A Journal of American Women Writers, 33: 2; 310-335. If you’re not a subscriber, you’ll need access to J-Stor or ProjectMuse to get to it.

The exhibit catalog has an eye-opening essay by Martha S. Jones – essential reading on African American suffrage involvement: “The Politics of Black Womanhood, 1848-2008.”

I must get to DC!